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- Confessions of the Imperfect. 1848 – 1989 – today (a traverse through modern culture). 1848 and 1989 are two points of reference for modern history. Two revolutions: the first is represented by a symbol of the barricade during the February Revolution and the second by the fall of the Berlin Wall. With the exhibition Confessions of the Imperfect the Van Abbemuseum would like to highlight the current relevance of these two moments. Both have created a basis for our world. 1848 resulted in the modern constitution and our democratic nation state, and 1989 determined our current geopolitical world order. As a Research assistant in the Van Abbemuseum, I am collaborating in the configuration of a display able to tell stories centered in the Netherlands, Belgium, Ireland, the United Kingdom, Spain, the Balkans (including Greece) and Turkey. The exhibition will include both new commissions and the extensive use of L’Internationale’s collective collections and networks. Confessions of the Imperfect is supported by Mondriaan Fund (Netherlands) and the Culture Programme of the European Union. Moreover, The exhibition is part of the five year programme The Uses of Art – on the legacy of 1848 and 1989, organised by L’Internationale, which is a network within the museum field that tries to develop a new form of cultural confederation where collections, artistic research, technology and public access is shared across member institutions.

- Arts Collaborative is a platform for transnational exchange and cooperation made up of over 20 arts organizations from Africa, Asia, Latin America, and the Middle East. The mission of Arts Collaboratory is to promote collaborative, inventive, and open visual arts practices that are socially engaging and transformative. As a Research assistant in CASCO (Utrecht), I am following the development of a broad array of art projects that bring to the fore new approaches, thoughts, and realities in engaging with their respective local contexts, if not intervening in the status quo. Arts Collaboratory is understood as a long-term ongoing research-platform where these communities meet, enabling the sharing of knowledge across regions, borders, and languages, based on a common ground consisting of an affirmative approach towards a more egalitarian, sustainable, and joyous world.

- The Art and Autonomy Reader is the upcoming book edited by Sven Lütticken, meant to be published, in December 2014, by Afterall. The Reader is going to be part of the Autonomy Project, which is a network of art and academic institutions that began in 2010. The Autonomy Project seeks to facilitate a number of events to put the problem and practice of autonomy back on the agenda in a time in which the cultural and the intellectual landscape is being remodeled according to the ruling politico-economical ideology. After finishing my research study A Revolution is not a bed of Roses, Lütticken asked me to collaborate with him, and the other Autonomy Project colleagues, on the configuration of the Chapter 4 of the Reader. In it, I am trying to incorporate some of the results of my research, focusing on the notion of Autonomy and Socially engaged Art in Latin American Art practices and contexts.